[mb-style] [Clean up CSG] Capitalization (and placement)

[symphonick]

> > Hmm, another try:
> > III. Tema. Allegro - Variations I - X - Variation XI. Andantino -
> > Variation XIIa. Allegro con spirito - [Variation] XIIb. Presto - Coda.
> > Larghetto
> >
> > Better, maybe? Or worse? Basically, I'm reluctant to change what I
> > thought was a basic rule (hyphens inside mvts) to fit a corner case
> > (relatively).
> >
>
> I'd actually thought the / and & were the guideline :P
>
:) Ah. You could be right, there's just no examples with ampersand in
CSG. OTOH there's no examples with hyphen either ;-)

> That last example you gave, though... it's kind of why I think using just a
> universal hyphen or slash would confuse.
>
> I was following you until:
>
> > Variation XIIa. Allegro con spirito - [Variation] XIIb. Presto - Coda.
> Larghetto
>
> where it looks like the Variation number got confused for a movement number,
> if I read you right?
>
Eh...  "Presto" is a part of Variation XII if I didn't get your
example wrong. I was trying to see if it became clearer if I restated
"Variation XII". But it didn't.

> Looking at the first, "Allegro - Variations I - X - Variation XI. Andantino"
> - that middle hyphen cluster gets confusing to my eyes (very easy to miss
> seeing the "s" on Variations and see it as "Variation I, (Variation) X,
> Variation XI", 3 variations, not 11.)

Yes, it does. :(

Going back to ampersand, could you define a clear rule of when to use
it? I'd use:
1) Same track, different mvts: I. Allegro / II. Andante
2) Same mvt, different tempi: III. Presto - Andante
3) Same mvt, different sections: IV. Adagio - Allegro - Coda
4) Variations:  V. Tema. Andante - Variation I. Andantino - Varation II. Allegro

Where would you use "&"?
-- 

/symphonick