[mb-style] CSG compromise?
Brian Schweitzer
brian.brianschweitzer at gmail.com
Sat Mar 1 23:31:05 UTC 2008
On Sat, Mar 1, 2008 at 6:13 PM, Aaron Cooper <cooperaa at gmail.com> wrote:
>
> On 1-Mar-08, at 5:56 PM, Mike Morrison wrote:
>
> >
> > On Sat, 1 Mar 2008, Brian Schweitzer wrote:
> > <snip>
> >> While there's perhaps some few 20th century classical composers
> >> someone might be able to point to, one thing classical composer
> >> generally have in common is that they didn't actually release LPs or
> >> CDs - or NATs. Perhaps it'd be simple to create a NAT-type of list
> >> for use for works lists, I don't really know. That would seem most
> >> optimal. But lacking that, could we not just use the NAT entry for
> >> each classical composer to hold the works lists? Create a new AR,
> >> something like "is an instance of" to link release tracks to the NAT
> >> tracks, store the CSG-style names in NATs and whatever the
> >> liner-liking people like in the releases? I'd think it'd be pretty
> >> easy then to add an option to Picard/datafeed users/etc to allow them
> >> to travel up to that NAT to get the CSG title. Then we also can more
> >> easily use the normal editing system, as well, to vet
> >> corrections/changes within the NAT-work lists, with the goal of those
> >> work lists being to make them the "complete" tiles. When NGS comes
> >> around, all the links and such already will be in place, we just
> >> migrate them from the NAT listed track to a NGS entry for that work,
> >> and (perhaps in some automated fashion which says "this NGS entry is
> >> specifically the NAT entry we had over here") migrate those
> >> work-instance links over to NGS?
> >>
> >> It would allow the dual track titles, it would satisfy both types of
> >> data users, it would allow us now to start really working on
> >> correcting noted typos and errors in work lists, and it would allow
> >> us, likely 1-2 years ahead of time, to already start working on
> >> linking instances back to work-masters.
> >>
> >> Brian
> >
> > I like this!
>
> I don't think it's a bad idea either, but I'm generally not a fan of
> NATs. Just throwing the idea out there... what about creating an
> album for each work? Example:
>
> Release Title: Trio for Piano, Violin, and Cello No. 1 in E-flat
> major, Op. 1 No. 1
> #1 Track Title: I. Allegro
> #2 Track Title: II. Adagio cantabile
> #3 Track Title: III. Scherzo
> #4 Track Title: IV. Finale. Presto
>
> If we wanted ordered lists based on catalog number we could enter the
> release title as something like "Op. 1 No. 1: Trio for Piano, Violin,
> and Cello No. 1 in E-flat major".
>
> Thoughts?
I think the dangers of creating a separate album listing for each work would be:
* People actually tagging to those "releases" / submitting TRMs/PUIDs for them
* Massive swelling of the apparent discography listings for the composers
* You then have to actually load that entire composer's discography to
find the ones you want (already 1500+ listings for JS Bach and WA
Mozart), rather than just the NAT listing for the artist (which, iirc,
is already linked from within the artist title bar on each release)
* lots of single-track "releases" for one-movement works
Perhaps such subdivision might be best left to the real NGS, rather
than further trying to stretch it to fit a non-NGS situation?
There's one other problem, and I'm not sure either suggestion really
solves it - what to do then when you have two or more works on the
same track? You could link them each as instances, but how does
something trying to interpret that - the datafeed user or the tagger -
make sense of it? Not insurmountable, but definitely a question that
would have to be addressed.
Brian
More information about the Musicbrainz-style
mailing list